versailles
versailles

The Pleasures of Versailles

Herbst Theater

Roger Hahn, (Professor of History, UC Berkeley) Moderator

Friday, October 18

A VISIT WITH THE SUN KING

Lecture Court Life (and Death) at Versailles
In the court society of Versailles during the Ancien Régime, no two persons had equal rights and privileges. Hierarchies of titles, ranks and favors obliged each and everyone, whether king, duchess or servant, to perform ceremonial and official gestures of respect and obedience. Orest Ranum (Johns Hopkins University) explores court life (and death) in its intimate detail in order to discern a political, social and cultural moment of French Grandeur (and Decadence).

Performance In the Footsteps of the Sun King
During the time of Louis XIV, dances emphasized intricate patterns, fan language and elegant steps. Baroque dance expressed many facets of this aesthetically embellished time period –from clothing and art to architecture and design, incorporating symmetrical patterns, mirror images and idealized beauty. Artists from Dance Through Time and Philharmonia Baroque will present this celebration of dances –the Minuet, Contredanse, Alemande, Folies and Gigue—brought to life through stunning period attire and beautiful music.

Saturday, October 19

LUXURY AND INTRIGUE IN THE SERVICE OF MAJESTY

Lecture The Gardens of Versailles: Some Uses of Paradise
Versailles—the château and gardens—was developed by Louis XIV during the 1660s as a pleasure dome for the Court, but gradually assumed monumental proportions as capital residence. Tours of the gardens for important visitors began in 1669, becoming increasingly important as a part of political stagecraft. It was a conscious aim of the Crown to impress the public with the wealth, magnificence, and taste of the French monarch. In this lecture, Robert W. Berger will explore the many uses of the Sun King’s playground.

Lecture Theatrical Splendors: Drama, Performance and Literature at Versailles
At a time when the court life of Versailles was defined by theatrical displays of personal honor, refinement and wit, it is no surprise that French drama reached its artistic pinnacle, a golden age which is still called ‘Le Grand Siècle’ (The Great Century) by the French. Larry F. Norman (University of Chicago) will explore the cultural, theatrical and literary context of key works of the period, along with sumptuous images illustrating the stage sets, acting styles, and artistic currents that coalesced in these timeless triumphs.

Performance Excerpts from Moliere’s “Tartuffe”
Performed by Tim Cunningham, Keight Gleason, Sarah Leventer, Coby Fisher, Matt Roberts, Zuzka Sabata, and Gwen Rooker under the direction of Giulio Cesare Perrone.

Lecture Spectacles of Power
At the French court, music glorified the king’s majesty. One might well say that it was music that propelled the vast stage-machinery of Versailles. Kate van Orden (UC Berkeley) shows how music mobilized the most theatrical of courts. From the coronation and Te Deum ceremonies to ballets on Apollonian themes, music harmonized the spirits and actions of individual courtiers, dramatizing the founding myths of kingship and coordinating performances that fabricated an orderly universe around the King.

Lecture Courting Trouble: Women of Influence at Versailles
Queens of France were not rulers of France. To be queen was rather, to be the wife of the king. Nevertheless, women figured prominently in the power-brokering and politicking that went on at Versailles. Melissa Hyde (University of Florida) will offer a look at the role and status of prominent women at court under Louis XIV and XV, with a particular emphasis on how they used the visual arts as a means of fashioning a public persona, acquiring social prestige, projecting an ideology or consolidating power.

Panel Discussion
All presenters join a discussion moderated by Roger Hahn (UC Berkeley).
Program held at Herbst Theatre, located at 401 Van Ness Avenue (at McAllister), San Francisco.

Presenters

Robert Berger, Art History, Brandeis University
Roger Hahn, History, UC Berkeley
Melissa Hyde, Art History, University of Florida
Larry Norman, French, University of Chicago
Kate Van Orden, music, UC Berkeley
Orest Ranum, History, Johns Hopkins University
Giulio Cesare Perrone, Stage director, Milan
Dance Through Time

tutankhamun
tutankhamun

Ancient Egypt

Friday, May 31, 2002
8:00 pm – 10:15 pm

Inspirations from the Nile

Opening Remarks H.E. Afaf Elmazariky, Consul

Lecture Egypt in Film – the Good, the Bad, the Nile
Moderator Stuart Tyson Smith overviews the birth of “Egyptomania” and discusses how Egypt maintains its hold on our imaginations.

Performance Geraldine McMillian, soprano, accompanied
Arias from Verdi’s Egyptian inspired Aïda and other works from Egyptian romantic composers of the 19th century and the music pertaining to their Egyptian heritage.

Saturday, June 1, 2002
10:00 am – 4:00 pm

Treasures of the New Kingdom

Distinguished speakers use art and archeology to unlock mysteries 3500 years in our past. UC Berkeley’s Cathleen Keller looks at everyday life in ancient Egypt through art. James Romano of the Brooklyn Museum tells the story of New Kingdom (1570-1182 BCE) pharoahs – Akenhaten, Tutankhamen, Ramses II – through sculpture. Peter Lacovara of the Carlos Museum examines religion through the architecture of the city of Amarna. UC Berkeley Visiting Lecturer Marian Feldman explores the art of diplomacy in the New Kingdom era with an emphasis on the gifts exchanged between leaders in the region and the sharing of technology and resources.

Lecture Life
When thinking of ancient Egypt, we are often struck with an image of King Tut’s golden head or Cleopatra being fanned by the Nile. However, Egyptian reliefs and sculptures also portray average Egyptian’s in the most common settings and routines. In this lecture, Cathleen Keller (Associate Professor, Department of Near Eastern Studies, UC Berkeley) will offer a look at everyday life in ancient Egypt through art.

Lecture Royal
The rulers of the New Kingdom (Dynasties 18 – 20) included some of the most extraordinary and powerful personalities in the 3000 years of Egyptian history. James Romano (Curator, Dept. of Egyptian, Classical and Ancient Middle Eastern Art, Brooklyn Museum of Art) will use sculpture to introduce some of the better known monarchs (Hatshepsut, Thutmose III, Amunhotep III, Akhenaten, and Ramses II) as well as other, lesser-known kings whose achievements had profound significance in their time.

Performance Traditional Egyptian Dance

Lecture Sacred

The city of Akhenaten, now known as Amarna, contains ruins of temples, palaces and houses of a most unusual period in the religious and architectural history of Ancient Egypt. Peter Lacovara (Curator of Ancient Art, Carlos Museum at Emory University) will interpret religion through architecture in findings from the city of Amarna.

Panel Discussion Moderated by Stuart Tyson Smith
Written questions from the audience to be addressed.

Presenters

Marian Feldman, Near Eastern Studies, UC Berkeley
Cathleen Keller, Near Eastern Studies, UC Berkeley
Peter Locavara, Curator of Ancient Art, Carlos Museum, Emory U
Geraldine McMillian, soprano,
Richard Mercier, piano,
James Romano, Curator of Ancient Art, Brooklyn Museum of Art
Stuart Tyson Smith

gaudi
gaudi

One Hundred Years in Barcelona

Program Notes PDF

Songs of the Spanish Civil War
Friday, February 8, 2002 8:00 pm – 10:15 pm

Established in 1833, the Province of Barcelona was a center of Catalan regionalism, anarchy, and industrial unrest throughout the 19th century, and became a Loyalist stronghold during the Spanish Civil War. Humanities West’s exploration of this fascinating region and period begins with a lecture on the political, intellectual and cultural context of the Spanish Civil War by historian Sandie Holguin. A performance of Pasiones, a critically acclaimed cabaret that spotlights the songs written and sung throughout the period, follows. Here versatile artists Michael Smith and Jamie O’Reilly combine popular and folk song with historical text and poetry by, among others, Hemingway, Garcia Lorca, Brecht and Orwell. Their presentation of this unique collection, sung in six languages, has been called “sublime,” and “sweeping and passionate,” by the Chicago Tribune.

Saturday, February 9, 2002 10:00 am – 4:00 pm

Art and Architecture of Barcelona

As “head and hearth” of Catalonia, Barcelona has long embodied the tensions of that rich and historic land between the Mediterranean and the mountains. Gary McDonogh (Director of the Growth and Structure of Cities Program, Bryn Mawr College) will look at Barcelona’s identity and power at the turn of the century and its transformation as a global and local metropolis. Lectures by Judith Rohrer (Emory University) and Marta Altisent (UC Davis) will explore the architecture of Antoni Gaudí and the literature and painting of Catalonia’s burgeoning modernist movement, often referred to by the artists’ meeting place, the brew-pub Els Quatre Gats. Attendees will also enjoy a performance of traditional Catalonian folk dance by Casals de Catalans’ Grup Dansaire Catalunya and a panel discussion on the important role Catalonia played in the development of the modern Spanish State.

Program held at Herbst Theatre, located at 401 Van Ness Avenue (at McAllister), San Francisco.

Friday and Saturday Tickets: $50-55. Friday or Saturday only Tickets: $25-30.

Friday, February 8

SONGS OF THE SPANISH CIVIL WAR

Lecture Barcelona Between Revolution and Repression
The revolutionary atmosphere in Barcelona from the mid-19th century to the Spanish Civil War (1936-1939) provided a crucible for great artists and architects, but it also became the breeding ground for violence among Catalan industrial magnates, anarchists and the central government of Madrid. Historian SANDIE HOLGUIN (University of Oklahoma) will discuss the social, political, and cultural conditions in Barcelona that culminated in the Spanish Civil War.

Performance Songs
The Spanish Civil War had its own rich musical legacy: songs reflecting the violent passions, deep ideological commitments, and folk traditions of the numerous factions in the struggle. PASIONES is a critically acclaimed cabaret that spotlights the songs of the Spanish Civil War. Versatile artists Michael Smith and Jamie O’Reilly combine popular and folk song with historical text and poetry by, among others, Hemingway, Garcia Lorca, Brecht and Orwell.

Saturday, February 9

HOMAGE TO CATALONIA

Lecture Cap, Casal and Crossroads: Barcelona and Catalonia in Contex
As “head and hearth” of Catalonia, Barcelona has long embodied the tensions of that rich and historic land between the Mediterranean and the Pyrenees. As a vital capital, port, and cultural center from medieval glory through 19th century industrialization to the present, it has born witness to continuing and sometimes violent conflicts between ideas and social groups. GARY MCDONOGH (Director of the Growth and Structure of Cities Program, Bryn Mawr College) will look at Barcelona’s identity at the turn of the century and its transformation to a global and local metropolis.

Lecture Els Quatre Gats: Barcelona in Paint
At the turn of the century, a Barcelona tavern, Els Quatre Gats, became the meeting place for a Bohemian circle of young avant-garde artists, including Picasso, Dali and Ramon Casas. ROBERT LUBAR (Institute of Fine Arts, New York University) will explore modernism in Barcelona and the city’s unique openness towards, and effect on, cultures and movements passing through the region.

Performance Grup Dansaire Catalunya
Twentieth Century Catalan folk dance has its origins in the tradition of “esbartades”, or outdoor celebrations that began as poetry readings in the 1850s and later incorporated the research and diffusion of traditional Catalan dances. GRUP DANSAIRE CATALUNYA performs a sampling of these dances, highlighting the music, movement and costume of their homeland.

2:00 pm Lecture The Catalan Spirit: Gaudí and His Contemporaries
The splendor of Barcelona’s turn of the century renaissance was most visible in the brilliance of its buildings and monuments, particularly in the architecture of Antoni Gaudí. JUDITH ROHRER (Emory University) will discuss the intersection between art and politics in Gaudí’s Barcelona. She will also review the history of the Temple of the Sagrada Familia, a structure unfinished at the time of Gaudí’s death.

Renaixenca Catalan: Barcelona in Literature
The Catalan renaissance, sometimes referred to as the Silver Age, holds its roots in the literary movement of Barcelona in the late 19th century. Distressed by a long period of decline in Spanish political power, a large group of writers, including Federico Garcia Lorca, searched for its causes and attemped to seek out remedies for Spain’s regeneration. MARTA ALTISENT (UC Davis) will discuss urban images in three turn of the century literary works.

Panel Discussion Charles Faulhaber, moderator
A discussion among all lecturers with questions from the audience.

Presenters

Marta Altisent, Spanish Literature, UC Davis
Charles Faulhaber, Bancroft Library Director, UC Berkeley
Sandie Holguin, History, U of Oklahoma
Robert Lubar, Fine Arts, New York University
Gary McDonogh, Growth and Structure of Cities, Bryn Mawr
Judith Rohrer, Modern Architecture, Emory U
Grupe Dansaire Catalunya,
Jamie O’Reilly, opera, Pasiones
Michael Smith, vocals, Pasiones

michaelangelo
michaelangelo

Michelangelo’s World

Friday, October 12, 2001 | 8:00 pm – 10:15 pm

A giant of the Italian Renaissance, Michelangelo Buonarroti has left an unparalleled legacy of brilliant, highly personal art, architecture and poetry. The San Francisco Choral Artists will present a program of sacred and secular choral music from Renaissance Italy, featuring compositions from Rome and Florence. Princeton Professor Theodore Rabb will present an overview of Michelangelo’s life from his native Florence to the Rome that witnessed his greatest fame.

Saturday, October 13, 2001 | 10:00 am – 4:00 pm

New View of an Old Master Frescoes in the Vatican Palace and architecture and sculpture for St. Peter’s Basilica link this passionate Florentine patriot inextricably with the Eternal City of the popes. William Wallace offers a brilliant new biography of Michelangelo; art historian Loren Partridge reexamines “The Last Judgement;” Marc Levoy shows remarkable images of sculpture from Stanford University’s Digital Michelangelo Project. Renaissance expert Eric Apfelstadt moderates.

Presenters

Eric Apfelstadt, Dean, Santa Clara U
Bernadine, Barnes Art, Wake Forest U
Marc Levoy, Computer Science, Stanford
Loren Partridge, Art History, UC Berkeley
Theodore Rabb, History, Princeton
Willliam Wallace, Art History, Washington U

silk-road
silk-road

Venice to Xanadu: Marco Polo’s Silk Road

Venue

Herbst Theatre

Presenters

Lauren Arnold, Art History

Albert Dien, Stanford

Cheryl Ann Fulton, medieval harp

Laurel Victoria Gray, Director, Dance, Silk Road Dance Company

Kit Higginson, recorder, psaltry

Peter Maund, percussion

Paul Pena, blues virtuoso

Morris Rossabi, Columbia U

S. Frederick Starr, Central Asian Studies, Johns Hopkins U

Roy Wheldon, vielle

Rome in the Year One
Rome in the Year One

Rome in the Year One

Venue

Herbst Theatre

Presenters

Janina Darling, Art History, UC Santa Cruz

Peter Donat, actor

Erich Gruen, Classics, UC Berkeley

Robert Gurval, Classics, UCLA

A. Trevor Hodge, Archeology, Stanford

Gary Miles, Ancient History, UC Santa Cruz

Diane Middlebrook, English, Stanford

Carey Perloff, actor, American Conservatory Theatre

islamic-world
islamic-world

Behind the Veil: The Islamic World in Western Art and Literature

Venue

Herbst Theatre

Presenters

Gerald Ackerman, Art, Pomona College

Kathryn Cathcart, piano, SF Conservatory Opera Workshops

Zeynep Celik, Architecture, NJ Institute of Technology

Alev Lytle Croutier, author of Harem

Walter Denny, Art History, U Massachusetts, Amherst

Philip Skinner, bass/baritone, SF Opera

Susan Lane Stokes, soprano

Caroline Williams, Egyptian Studies

city-of-light
city-of-light

Postcards From Paris: Americans in the City of Light

Venue

Herbst Theatre

Presenters

Raquel Britton, vocals

Derrick Cartwright, Director, Musee d’Art Americain, Giverny

Charles Fracchia, City College of SF

Kito Gamble, piano, Oakland

Robert Geary, director, SF Chamber Singers

Stanley Mellon, Columbia U

Tyler Stovall, History, UC Santa Cruz

moors
moors

A Spanish Paradise: The Moors in Andalusia

Venue

Herbst Theatre

Presenters

Thomas Brown, landscape architect, Petaluma

Yassir Chadly, Moroccan Musical group, Marhaba

Margaret Davis, vocals, harp

Charles Faulhaber, Director Bancroft Library, UC Berkeley

Kristoph Klover, vocals, guitar, mandola

Deirdre McCarthy, percussion

James Monroe, Arabic History, UC Berkeley

Rosa Montoya, flamenco, Rosa Montoya Bailes Flamencos

Antonio Orihuela, Design, University of Granada, Spain

F. E. Peters, Islamic Studies, New York University

Dwight Reynolds, Arabic, UC Santa Barbara

louise-brooks
louise-brooks

Berlin in the Twenties: That Brilliant, Dazzling, Daring, Extravagant Decade

Venue

Herbst Theatre

Presenters

Skye Atman, piano

Tim Donohue Bombasch, Film historian

Lauren Carley, soprano

Tim Fischer, cabaret artist, Berlin, deceased

Peter Jelavich, History, U Texas, Austin

David Large, History, Montana State U

Mitchell Schwarzer, Architecture, CA College of the Arts

da-vinci
da-vinci

Leonardo da Vinci: The Original Renaissance Man

Venue

Herbst Theatre

Presenters

Gene Brucker, History, UC Berkeley

Phebe Craig, harpsichord,

Paula Findlen, History, Stanford

Cheryl Ann Fulton, triple harp

Shira Kammen, strings

Constance Moffatt, Art, Pierce College, LA

Susan Rode Morris, soprano

Loren Partridge, Art History, UC Berkeley

Theodore Rabb, History, Princeton

Sally Scully, History, San Francisco State U

gold-rush
gold-rush

California Gold: The Lure and the Legacy

Venue

Herbst Theatre

Presenters

Mischa Berson, drama critic, Seattle Times

Calicanto Singers

Therese Heyman, Research Associate, Oakland Museum

J. S. Holliday, Executive Director, Oakland Museum

Harvey Jones, Senior Curator of Art, Oakland Museum

Paul Karlstrom, Director, Smithsonian Institutions Archives

Daniel Lewis, History, Cal Poly

Kate Magruder, Humanities, playwright

Mother Lode Musical Theatre Troupe

Charles Wollenburg, History, Vista College, Berkeley

darwin
darwin

Darwin’s Menagerie: Victorians, Sociobiologists and other Endangered Species

Venue

Herbst Theatre

Presenters

Carl Degler, History, Stanford

Daniel Dennett, Philosophy, Tufts U

Peter Donat, actor

Alan Jones, Theology, Grace Cathedral

Richard Milner, Senior Editor, Natural History Magazine

James Moore, Science, Divinity Open University, Britain

William Provine, Biological Sciences, Cornell U

Robert Richards, History, Evolutionary Biology, U of Chicago

taj-majal
taj-majal

Visions of Paradise: The Taj Mahal and Other Splendors of the Mughal Court

Venue

Herbst Theatre

Presenters

Thomas Brown, landscape architect

Walter Denny, Art History, U Massachusetts, Amherst

Gavin Hambly, U Texas, Dallas

Purnima Jha Dance & Rhythm of India

Johanna Movassat, San Jose State U

Woodman Taylor, U Illinois Chicago

jerusalem
jerusalem

Towering Visions: Jerusalem Through the Ages

Venue

Herbst Theatre

Presenters

William Dever, U Arizona

Laurie Eisler, tambourine, zither

Oleg Grabar, Institute of Advanced Study, Princeton

Thomas Idinopulos, Miami U of Ohio

F E Peters, New York U

William Quandt, U of Virginia

scandinavian-art
scandinavian-art

In the Scandinavian Spirit: Art and Culture in a Free Society

Venue

Herbst Theatre

Presenters

Patricia Berman, Wellesley College

Anne-Lise Bernsten, soprano

Juni Dahr, actress

Barry Jacobs, Montclair State U

John Lindow, Scandinavian, UC Berkeley

James Massengale, Musicology, UCLA

Karin Sanders, Visual Arts, UC Berkeley

Lars Tragardh, Barnard College, Columbia

Humanities West Announces its 2015-2016 Season
Humanities West Announces its 2015-2016 Season

A Taste of Humanities West

Venue

Herbst Theatre

Presenters

David Bartlett, Architecture, San Francisco

Peter Donat, Actor, San Francisco

Peter Pierson, Emeritus, History, Santa Clara U

Elaine Thornburgh, harpsichord, San Francisco

vienna
vienna

Vienna Fin-de-Siecle: Nostalgia and the Modern

Venue

Herbst Theatre

Presenters

Christopher Hailey, Music History, Franz Schreker Foundation

Martin Jay, History, UC Berkeley

William McGrath, History, U of Rochester

Ilona Sarmany-Parsons, Art History, U of Vienna

Carl Schorski, History, Princeton, deceased

Mitchell Schwarzer, Architecture, CA College of the Arts

Paul Smith, College of Marin

Gloria Wood, vocals

Dance Through Time